For family travel, Tom compares a big f/2.8L IS lens on heavy Canon 40D DSLR to a compact Canon PowerShot G9 camera on tripod:
Photographer Tom Dempsey replies to Raul Panelo’s message (shown at bottom) March 03, 2008:
Dear Raul, You probably already know that your skills as a photographer are much more important than the camera you choose. That being said, your high quality Canon 40D (and 20D) DSLR outfit has some important differences versus the 13-ounce Canon Powershot G9:
- Prints larger than about 16 inches will be noticeably sharper and less distorted from the DSLR, versus from the Canon G9.
- The shutter response is instantaneous on a DSLR, whereas the G9 has a slight delay of 0.4 to 0.6 seconds. (Workaround: half-press the shutter to pre-focus, then click at the right moment).
- On the DSLR, for a given image noise/quality level, you can hand hold shots in 2 to 4 stops dimmer light using ISO 800-3200 (versus the G9 set at ISO 100-200; assuming you turn on IS image stabilization in both cameras for sharpest hand held performance). Using these settings, images may be indistinguishable in quality from DSLR versus G9, when viewed on any High Definition HD monitor or projector, or when printed less than about 12 inches in size. Your f/2.8L lenses for your Canon 40D are so good and sharp, that your personal judgement is required to determine the G9 breakeven point for print size, which I estimate at between 16 and 8 inches. Larger prints will look sharper from the Canon 40D.
- DSLR cameras perform much better in dimmer light, because their larger lens glass diameter focuses much more light onto a sensor 6 times larger in area than in the G9.
- Your proposed 1.4x lens extender loses a stop, but costs less than buying a new lens, and reduces bulk versus carrying an extra lens. Offhand I don’t know the actual quality difference when you extend your 70-200mm 2.8L IS by 1.4x. The tele extender might duplicate the effect (and quality?) of your Canon 75-300mm 4-5.6 IS, thus saving you extra bulk of carrying the 75-300mm when traveling.
…versus the Canon Powershot G9:
- The G9 can work around many of its low light limitations by shooting always at ISO 100-200 (even 400 looks surprisingly good), and by mounting on a tripod, in the case of low light shots that exceed its excellent 2-4 stop hand-held “IS” capability. You may not see much difference between G9 images and DSLR images when you compare shots at ISO 100-200 and prints smaller than about 12 inches.
- The G9 has big advantages of portability, fun factor, movie & sound recording, and good built in macro focusing down to 1 cm (very useful small macro image area 17 x 22 mm, better magnification than your DSLR lenses, unless you have a dedicated DSLR macro lens).
- Underwater camera: The $170 Waterproof Case WP-DC11 converts the Canon G9 into a high quality underwater camera for snorkeling Maui, Hawaii, Galapagos Islands, Belize, Mexico, the Caribbean Sea or other great destinations. However, our camera’ s waterproof housing fogged up in the cold Galapagos waters. Instead, get a dedicated underwater camera listed on my BUY page.
- Compact cameras are great for traveling with family, because they are more portable and faster to whip out, as you juggle family gear and interact socially. (However, to capture better quality in dim light, the G9 needs a tripod about 2 to 4 f/stops sooner than DSLR cameras with APS-C size sensors, such as the Canon D40.)
With the G9 shooting RAW, you can capture publication quality images up to about 12 inches (maybe larger).
- To put this discussion in perspective: using a JPEG image from the Canon SD700IS ELPH (which has image quality lower than the Canon G9), I printed one of my wife’s Bangkok Grand Palace shots 16×12 inches for display in our living room, and the quality looks the same as my own prints using better cameras! In my mind, that infers the G9 quality on par with your DSLR up to 16 inches, in good daylight shooting.
Recommended travel tripod for compact or DSLR cameras:
- I love my travel tripod, which I have tested 2005-2008 with both small and DSLR cameras:
- Slik “Sprint Pro GM” Tripod ($90), which weighs only 2 pounds and is great for travel, superior to other travel tripods that I’m aware of (including Velbon MAXi343E, Manfrotto, or even Gitzo tripods costing three times more).
- For quickest on/off camera mounting, add the Manfrotto 3299 Quick Change Plate Adapter ($35, quick release).
- The stiff aluminum legs are sufficiently stable for cameras up to 3 or 4 pounds (especially if you don’t extend the bottom leg section; or if you hang on extra weight) and have very fast locking levers (of sturdy plastic). At this good price, simply buy a new tripod if it breaks.
- The Slik “Sprint Pro GM” tripod rises to eye level (64 inches), collapses to 19 inches (or 16 inches if you remove the quick-release ball head). The metal ball head swings 90 degrees each way, to two vertical positions, and turns freely around, all tightened with one effective lever. Legs can optionally splay out independently in 3 locking positions down to 6.4 inches off the ground. For macro, the center column can be reversed underneath for great shooting flexibility at ground level, and unscrews into a short section (saving 3.5 ounces). Leg tips convert from spike (outdoor) to rubber (indoor use) with a simple lockable twist.
Tom’s 2008 equipment:
- My own travel preference is to carry the lightweight Nikon D40X (with image quality equal to the more expensive Nikon D200) mounted with just one do-everything lens, the Nikkor AF-S DX VR 18-200mm f/3.5-5.6G IF-ED (2-4 stops hand held vibration reduction), which makes a good quality 38-ounce camera+lens system carried in a chest bag.
- Compared to using a Canon G9, this Nikon D40X system eliminates most tripod use, shoots faster in dimmer light, shoots a wider angle and longer telephoto (27mm-300 equivalent Nikkor lens; versus 35mm-210 for Canon G9) and captures better quality, sufficient for me to sell 24 inch or larger prints (when viewed at 24 inches or further).
- The 13-ounce G9 is still very attractive as a camera for family travel and 16-inch prints. I would not mind having a G9!
Have a great trip in Maui!
— Tom Dempsey, photographer, Seattle, Washington
Above, Tom answers the following questions … From Raul Panelo, March 03, 2008 To: tom @ photoseek.com
Subject: Travel Advice Needed
Hi Tom! First of all, thank you for sharing your expertise in travel photography. I have learned a lot from your site www.photoseek.com I need advice on what equipment to bring on my upcoming vacation to Maui. I currently have the following: Canon 20D, Canon 40D cameras; lenses: Canon 16-35mm 2.8L, Canon 24-70mm 2.8L, Canon 70-200mm 2.8L IS, Canon 50mm 1.4, Canon 75-300mm 4-5.6 IS. I want to shoot landscapes, people and macro shots. After reading your website, I’m now thinking of buying the Canon G9 for a take it anywhere camera. Do you think this is a good choice for me? I’m also thinking of buying the 1.4x extender for the 70-200mm to extend my range. Lastly, I am looking for the best tripod to use with either my SLRs or the G9 if I end up buying it. I’m traveling with my wife and 2 daughters ages 6 & 11. I’d like to travel as light as possible but at the same time have the ability to capture wonderful images. Thanks in advance for your help. — Raul Panelo
———– Reply from Raul March 03, 2008: —————————————
Tom, Thank you so much for your quick and detailed response. Based on your answer, I’ll definitely take my SLR in case I capture something I’d like to print and hang on the wall later. I’ll also check your tripod recommendation. The price on the Sprint Pro GM is definitely reasonable given your description. You may post my question and your answer on your blog. Your blog is a great resource for many and if your answer helped me, I’m sure many more will benefit. Thanks again for being so generous with your expertise. — Raul