Dream Alps Photo Workshop with Tom: July 25 – Aug 02, 2018

Master your digital camera surrounded by breathtaking Swiss peaks! Short walks to areas of concentrated beauty make this 8-night Alps tour especially attractive for those with limited vacation time. With a professional Alpenwild guide leading our trip, my time is freed for teaching photographic skills within our cozy group of 6 to 10 participants.

Join our Alps Photo Workshop 2018 July 25 – August 02. Develop your photographic genius with a pro in Switzerland.

The following photos by Tom Dempsey are from our Workshop locations:


  • Welcome photographers of all skill levels! Your spouse, partner, or friend will also love our tour while you advance your photography. My wife Carol will be joining us.
  • We’ve thought of everything: all accommodations, meals, ground transportation, and instruction are included.
  • The Swiss Alps are a photographer’s dream trip, with inspiring landscapes, breathtaking mountain panoramas and vibrant cultural settings. Now imagine having a professional landscape photographer at your side to provide personalized instruction in these idyllic alpine locations. Capture the greatest shots you’ve ever taken, while learning and developing your photographic skills like never before. Learn important tips on exposing, focusing, composing, editing, and post-processing. Think of all the questions you’ve had in the past, but never had a pro landscape photographer to ask.
  • We’ve selected the world’s most stunningly beautiful mountains, meadows, waterfalls, and glaciers for your backdrop. The Alps are the most accessible mountains in the world, where cogwheel railways, mountain trams, and funiculars put you in the heart of the action.
  • We will have plenty of time for photography as you’ll rarely be walking more than three miles per day. After fieldwork will be time for critiques and post-processing help. Our small group provides optimal one-one-one instruction and group discussion.

Capture the spirit of Swiss icons including:

  • the Matterhorn, Zermatt
  • traditional chalets at Kandersteg
  • waterfalls of Lauterbrunnen
  • famous Eiger, Mönch, and Jungfrau above Grindelwald

See our complete itinerary and sign up at: www.alpenwild.com

Alps Photo Workshop with Alpenwild & Tom Dempsey

Swiss Alps Photo Workshop – Tom Dempsey & Alpenwild


Our professional guide is:
Greg Witt
1-800-532-9488 AlpenWild.com
Email: info@alpenwild.com

$4395 from Zurich or Geneva, per person, double occupancy.
$399 single supplement.
Limited time offer… sign up deadline by early February.

Join me this summer in Switzerland!

Tom Dempsey, photography instructor
tom@photoseek.com
(206) 372-7673 mobile

See also Venice and Dolomites images from Tom’s Italy Photo Workshop.

SCOTLAND: hike Skye, castles, Callanish, Edinburgh, Stirling, Falkirk, history

12 days driving the length of Scotland enriched us with compelling history, striking art, and green landscapes such as Glen Coe. Favorites included hiking the Isle of Skye; admiring the 4600-year-old Standing Stones of Callanish in the Outer Hebrides; and seeing the dramatic Kelpies sculptures, triangular Caerlaverock Castle and iconic Eilean Donan Castle. Our 20th wedding anniversary in a romantic Scottish castle disappointed on comfort, but enchanted us with 1400s-1800s atmosphere, in restored Comlongon Castle. While Edinburgh’s festival crowds overwhelmed the many worthwhile sights, the impressive 1400s-1500s Stirling Castle furnished more elbow room to contemplate medieval history. Our self-guided tour of Scotland capped 34 days in the United Kingdom (2017 July 20-August 22), which started with hiking England Coast to Coast (click here). See trip map at bottom.

SCOTLAND gallery of favorite images, by Tom Dempsey


Click “i” to display informative captions. Add any of the above images to your Cart for purchase using my Portfolio site.

More extensive galleries of Scotland:

Click here to see all my Scotland images in day-to-day order, in a single gallery in my Portfolio (where you can Add to Cart). Or conveniently below, see them grouped in galleries by area, with helpful travel tips and history:

Callanish Standing Stones, Outer Hebrides (Western Isles)


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Erected 4600 years ago, the wondrous Callanish Standing Stones are one of the most spectacular megalithic monuments in Scotland. The main site known as “Callanish I” forms a cross with a central stone circle erected circa 2900-2600 BC. More lines of stones were added by 2000 BC (the close of the Neolithic era), and it become a focus for rituals during the Bronze Age. From 1500-1000 BC, farmers emptied the burials and ploughed the area. After from 800 BC, peat accumulated 1.5 meters deep and buried the stones until removed in 1857. Visit this spectacular ancient site near the village of Callanish (Gaelic: Calanais), on the Isle of Lewis, Outer Hebrides (Western Isles) in Scotland.

The Highlands: Isle of Skye


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Skye is the largest and northernmost of the major islands in the Inner Hebrides.

Isle of Skye photo and travel tips:

Lodging is very limited on Skye, so make summer reservations weeks or months ahead. The 1995 Skye Bridge has been toll-free now since 2004, and in 2017 it overflowed the island’s services with international tourists. Arriving early is required each morning to squeeze into popular parking areas. 7 miles west of Skye Bridge, pick up several days worth of food supplies at Broadford Co-Operative Food grocery. Stop by Sligachan Old Bridge, backed by the Black Cuillin mountains. For several hours, enjoy walking to viewpoints at the 1909 Neist Point Lighthouse, which pokes dramatically into The Minch strait. Many of the best sights are on Trotternish peninsula:

  • As our strategic base for 5 nights on Skye, we loved this quiet, comfortable loft atop a croft in Digg village near Staffin: Quiraing View Self Catering Apartment through AirBnb.com.
  • In Skye’s largest town, see colorful houses reflected in Portree Harbor, and shop at the Co-op on Woodpark Road for groceries.
  • Ascend to the striking pinnacles of the Old Man of Storr (4 miles, 1400 feet gain round trip). Arrive early for limited parking. A massive ancient landside created this distinctive landscape of eroded towers. For the best outlook, continue up the trail over the fence stile past where most people stop, surmounting the next higher ledge, to see the needles silhouetted against Loch Leathan, the Sound of Raasay, Raasay Island, and the Cuillin range.
  • At scenic Kilt Rock viewpoint, carpeted with purple heather flowers, Mealt Falls plunges 60 meters into the Sound of Raasay. Between 61 and 55 million years ago, volcanic activity on the west coast of Scotland covered the northern half of Skye in layers of molten rock over 1200 meters thick. The pleats of Kilt Rock formed as molten rock squeezed between layers of Jurassic sandstone rocks then cooled slowly and shrank into striking polygonal columns. Location: A855 road, 15 km north of Portree, 2 km south of Staffin.
  • Starting from Lealt Falls Car Park, ponder the coastal ruins of Lealt diatomite works (a furnace, grinding machine and storage). The diatomite was mined inland at Loch Cuithir from 1899-1960, gratefully providing local jobs. Diatomaceous earth, or diatomite, is fossilized remains of diatoms (chrysophytes, or golden algae, a type of hard-shelled protist) creating a soft, siliceous sedimentary rock that is easily crumbled into a fine white powder. Its uses are many: filtration aid, insecticide, absorbent for liquids, mild abrasive in metal polishes & toothpaste, activator in blood clotting studies, a stabilizing component of dynamite, a thermal insulator, and even cat litter!
  • Amble up Bioda Buidhe mountain along Trotternish Ridge, with views south to eroded landslips and north to the Quiraing, an active landslip. Walk 2.2 miles round trip with 700 feet gain, starting southwards from the summit of the minor road between Staffin and Uig. Arrive early for limited parking. From the same trailhead, we also hiked the Quiraing:
  • For more adventure, try the popular, muddy loop (4.5 miles with 1200 feet gain) around the Quiraing landslip (Cuith-Raing in Gaelic, from Norse words meaning “round fold”), best avoided in rain or fog. The Trotternish Ridge escarpment is a spectacular series of landslips, still sliding in the Quiraing, requiring yearly repairs in the road below (near Flodigarry).
  • Near Uig: The Skye Museum of Island Life preserves a township of thatched cottages as they would have been in the late 1800s on the Isle of Skye, in Kilmuir village.
  • Near Uig: Walk the pastoral Fairy Glen (Faerie Glen) to Castle Ewen hill, looping 1.2 miles via grassy, cone-shaped mounds.
  • From Uig, catch the ferry to Tarbert, the main town of Harris in the Outer Hebrides (Western Isles), to drive to the Standing Stones of Callanish and blackhouse museums on the attached Isle of Lewis. Be sure to reserve a spot for your car weeks ahead at Caledonian MacBrayne (CalMac).

The Highlands: Eilean Donan Castle, AD 1200s-1932


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Eilean Donan Castle looks spectacular when spotlit at twilight, in Kintail National Scenic Area. Since restoration in the early 1900s, a footbridge connects the island to the mainland. This picturesque island stronghold was first built in the 1200s in the western Highlands where three sea lochs meet (Loch Duich, Loch Long, and Loch Alsh) at the village of Dornie. The island is named after Donnán of Eigg, a Celtic saint martyred in 617. The castle became a stronghold of the Clan Mackenzie and their allies Clan Macrae. In the early 1700s, the Mackenzies’ involvement in the Jacobite rebellions led in 1719 to the castle’s destruction by government ships. Lieutenant-Colonel John Macrae-Gilstrap’s 1920-32 reconstruction of the ruins made the present buildings.

The Highlands: Glen Coe and Glen Nevis (Steall Falls hike)


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Found along road A82, Glen Coe is perhaps the most scenic and historic valley in Scotland. Glen Coe is the remains of an extinct supervolcano (erupted 420 million years ago during the Silurian period), one of the best examples of subsidence calderas. Heavy glaciation ending 10,000 years ago carved the U-shaped valley, reminding me of Norwegian scenery. The infamous 1692 Massacre of Glencoe happened near Glencoe village at the foot of the valley.

One of the best short hikes in Scotland ascends 220 meters to Steall Falls (3.5 km / 2.25 miles round trip) via scenic Nevis Gorge, an area owned by the John Muir Trust, which is attempting to restore wilderness here after centuries of burning and grazing. Steall Falls is Scotland’s second highest waterfall, with a single drop of 120 meters or 393 feet. Often hidden in the clouds above is Ben Nevis (1345 meters or 4411 ft, the highest mountain in the British Isles), here at the western end of the Grampian Mountains in the Lochaber area of the Scottish Highlands.

The Highlands: Inverness and Culloden


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We enjoyed seeing the lights of Inverness reflect in River Ness at twilight, in the administrative capital of the Highlands. The prominent red sandstone Inverness Castle (housing the Inverness Sheriff Court) was built in 1836 by architect William Burn on the site of an 11th-century fort. A settlement was established here by the 500s AD with the first royal charter being granted by King David I in the 1100s. The Gaelic king Mac Bethad Mac Findláich (MacBeth), whose 11th-century killing of King Duncan was immortalised in Shakespeare’s largely fictionalized play Macbeth, held a castle within the city where he ruled as Mormaer of Moray and Ross. Surveys rank Inverness as one of the happiest places in the UK.

Jacobites and the Battle of Culloden explained

Near Inverness is Culloden Battlefield visitor center, a Scottish mecca run by the National Trust for Scotland. As the final confrontation of the Jacobite rising of 1745, the Battle of Culloden on 16 April 1746 was part of a religious civil war in Britain. In the last pitched battle on British soil, in less than an hour about 1500 men were slain, more than 1000 of them Jacobites. Today, strong feelings are still aroused by the battle and the brutal aftermath of weakening Gaelic culture and undermining the Scottish clan system. The site of the battle is three miles south of Culloden village on Drumossie Moor, often called Culloden Moor.

Jacobites rebelled against the British government several times between 1688 and 1746. Jacobites were a political faction in Great Britain and Ireland aimed to restore the Roman Catholic King James II (House of Stuart) of England and Ireland (as James VII in Scotland) and his heirs to the thrones of England, Scotland, France and Ireland. The name comes from Jacobus, the Renaissance Latin form of Iacomus, from the original Latin form of James, “Iacobus.”

Stirling, the gateway to the Highlands


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Once the capital of Scotland, Stirling is visually dominated by Stirling Castle, sitting atop Castle Hill, an intrusive crag formed some 300 million years ago. Until the 1890s, Stirling controlled a strategic position as the lowest bridging point of the River Forth before it broadens towards the Firth of Forth, making it “the gateway to the Scottish Highlands.” As a principal royal stronghold of the Kingdom of Scotland, Stirling was created a royal burgh by King David I in 1130. Most of the fort’s main buildings date from the 1400s and 1500s, when it peaked in importance. The outer defenses fronting the town date from the early 1700s. Several Scottish Kings and Queens have been crowned at Stirling, including Mary, Queen of Scots in 1542. Stirling Castle has suffered at least eight sieges, including several during the Wars of Scottish Independence, with the last being in 1746 when Bonnie Prince Charlie unsuccessfully tried to take the castle.

Edinburgh, capitol city of Scotland


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Perched atop Castle Rock, Edinburgh Castle is the most besieged place in Great Britain and one of the most attacked in the world, with 26 sieges in its 1100-year-old history. Few of the present buildings pre-date the Lang Siege of the 1500s except for St Margaret’s Chapel from the early 1100s, the Royal Palace, and the early-1500s Great Hall. Edinburgh is the capital city of Scotland, in Lothian on the Firth of Forth, in the United Kingdom.

The spectacular St Giles’ Cathedral (High Kirk of Edinburgh) is the principal place of worship of the Church of Scotland in Edinburgh. Its distinctive crown steeple is a prominent feature of the city skyline, at about a third of the way down the Royal Mile. The church has been one of Edinburgh’s religious focal points for approximately 900 years. The present church dates from the late 1300s, though it was extensively restored in the 1800s. Today it is sometimes regarded as the “Mother Church of Presbyterianism.”

Don’t miss seeing the abstract modernist Scottish Parliament Building, opened 2004 in the Holyrood area of Edinburgh. Scottish Parliament had previously dropped out of existence from 1707 through 1999. The original Parliament of Scotland was the national legislature of the independent Kingdom of Scotland, existing from the early 1200s until merging with the Kingdom of England under the Acts of Union 1707 to form the Kingdom of Great Britain. Following a Scottish referendum in 1997, the current Parliament was convened by the Scotland Act 1998, which sets out its powers as a devolved legislature, which first met in 1999. The Scottish Parliament has the power to legislate in all areas that are not explicitly reserved to Westminster.

If time allows, wander along the Water of Leith river through Dean Village, the site of old watermills in a deep gorge.

Falkirk Wheel and The Kelpies


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The Kelpies, built of structural steel in 2013, are the world’s largest pair of equine sculptures. Towering 30 meters above the Forth & Clyde Canal, these two proud heads are a monumental tribute to the horse power heritage (pulling wagons, ploughs, barges and coalships) vital to early industrial Scotland. Scottish sculptor Andy Scott designed these twin 300-tonne feats of engineering. Visit the Kelpies artworks in the Helix parkland project, in Falkirk, central Scotland.

Five miles west of the Kelpies is the Falkirk Wheel. Built in 2002, the Falkirk Wheel is the world’s first and only rotating boat lift. It reconnects the Forth and Clyde Canal with the Union Canal for the first time since the 1930s. The wheel raises boats by 24 metres (79 ft) in just 15 minutes, then a pair of locks raises them 11 metres (36 ft) higher to reach the Union Canal.

1295 Caerlaverock Castle


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The formidable red sandstone walls of Caerlaverock Castle have a triangular shape, unique in Britain. First built in 1295 to to control trade, its wide moat, twin-towered gatehouse and lofty battlements give Caerlaverock a fairtale appearance, the epitome of a medieval stronghold. In the castle courtyard, walk through Nithsdale Lodging, a remarkable residence built in 1635, “the most ambitious early classical domestic architecture in Scotland.” Caerlaverock is near Dumfries, on the edge of Caerlaverock National Nature Reserve, in southwest Scotland. This stronghold defended the Maxwell family from the 1200s-1640, then was abandoned. It was besieged by the English during the Wars of Scottish Independence, and underwent several partial demolitions and reconstructions from the 1300s-1400s.

Comlongon Castle


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Our 20th wedding anniversary attracted us to lodging in a romantic Scottish castle, but Carol’s night in the 1902 Edwardian wing at Comlongon was haunted by steam radiator sounds and saggy bed. Luckily, the next morning compensated with good breakfast, beautifully landscaped grounds, and the swords-and-armor atmosphere of restored 1400s Comlongon Castle.

Oban and Castle Stalker


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Oban is an important tourism hub and Caledonian MacBrayne (CalMac) ferry port, protected by the island of Kerrera and Isle of Mull, in the Firth of Lorn, Argyll county. The 200-meter-diameter McCaig’s Tower rises prominently on Battery Hill overlooking Oban, built in Roman style 1897-1902 by philanthropic banker John Stuart McCaig, but left unfinished upon his death.

1440s Castle Stalker is a 4-story tower house or keep picturesquely set on a tidal islet on Loch Laich, an inlet of Loch Linnhe, near Port Appin, Argyll. Castle Stalker is visible from the A828 road midway between Oban and Glen Coe. The fort was occupied from the 1440s-1840, lost its roof, then was fully restored 1965-1974. It appeared in the 1975 film “Monty Python and the Holy Grail” in the final scene as “The Castle of Aaaaarrrrrrggghhh.” The name Stalker comes from the Gaelic Stalcaire, meaning hunter or falconer.

SCOTLAND and Northern ENGLAND: map

The following map of Scotland and northern England shows our key sights in 2017 (click for Google interactive version):

Map of sights in northern England + Scotland, UK

Map of our sights in northern England and Scotland, in the United Kingdom, for 34 days round trip from Seattle to Manchester 2017 July 23–August 22.

Smartphone camera class Jan 8-31 M,W 1:15-2:45pm by Tom Dempsey, Seattle

Sign up before January 8, 2018 for Tom Dempsey’s next workshop in Seattle:

“Smartphone Photography”

8-class series on Mondays and Wednesday at 1:15-2:45pm on January 8, 10, 15, 17, 22, 24, 29, 31 in 2018.
The latest smartphones make photography easier than ever, right out of the box. Bring your fully-charged phone to class, and we’ll learn how to better previsualize, expose, focus, compose, make panoramas, edit color tones, and share to impress your friends. Please consider upgrading, as phones made within the past 2 years have brighter screens visible in sunlight, and capture better shadow detail while preserving highlights with HDR Auto. Good cameras include iPhone 6s, Samsung Galaxy S6, Google Pixel, and later models. See the instructor’s nature travel photography and tips here at PhotoSeek.com.

Sign up at Lifetime Learning Center
(206) 949-8882 or email llc_2000@hotmail.com 
Location: Lake City Presbyterian Church
3841 NE 123rd Street
Seattle, WA 98125

This workshop will be taught by nature-travel photographer Tom Dempsey (206-372-7673), author of PhotoSeek.com.

MoPOP, Seattle

The Space Needle reflects in windows of the Museum of Pop Culture (MoPOP, the former “EMP Museum”) designed by Frank Gehry, in Seattle.

ENGLAND: Coast to Coast hike; Hadrian’s Wall; medieval architecture

My first visit to England filled us with surprisingly delicious pub food and admiration for spectacular medieval architecture. 13 days of mostly rainy weather didn’t slow our hike of 112 miles across “England Coast to Coast” which I photographed on commission for Wilderness Travel, 2017 July 23–August 5. Starting by dipping our boots in the Irish Sea, we cut a swath across England’s historic and literary landscape, over the fells of the Lake District to the pastoral beauty of the Yorkshire Dales and North York Moors National Parks, to Robin Hood’s Bay on the North Sea. Afterwards, we enjoyed guiding ourselves through York, castles and abbeys in northern England (further below), plus Scotland (in separate article).

ENGLAND gallery of favorite images, by Tom Dempsey


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The following more extensive galleries and trip map describe England in more detail:

Northern England Coast to Coast trek

Our group of 12 hikers plus 2 trip leaders rambled across a variant of the unofficial 192-mile “Coast to Coast Walk,” which is mostly unsignposted across Northern England. A luggage van with friendly driver Peter allowed us to walk with lightweight day packs and skip boring sections, ending each day in comfortable hotels. Professional guides Richard and Karen Bell cheerfully guided us across rolling hills averaging 8.6 miles per day with 1350 feet gain, which added up to a moderately strenuous effort surmounting sometimes rocky, often mucky terrain. Below are my images from the trek, in three parts (click “i” to display informative captions):

ENGLAND Coast to Coast trek part 1/3: Lake District National Park:


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ENGLAND Coast to Coast trek part 2/3: Yorkshire Dales National Park


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ENGLAND Coast to Coast trek part 3/3: North York Moors National Park


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Northern ENGLAND and SCOTLAND trip map, 34 days

Click here to see all my England images in day-to-day order, in a single gallery. The following map shows our key sights in 2017 (click for Google interactive version):

Map of sights in northern England + Scotland, UK

Map of our sights in northern England and Scotland, in the United Kingdom, for 34 days round trip from Seattle to Manchester 2017 July 23–August 22.

York, North Yorkshire

At the end of our athletic hiking tour, Wilderness Travel left Carol and I in fascinating York:


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The historic walled city of York lies at the confluence of rivers Ouse and Foss in North Yorkshire, England. York is renowned for its exquisite architecture, tangle of quaint cobbled streets (called the Shambles), iconic York Minster, the longest medieval town walls in England, and a wealth of visitor attractions. Founded by the Romans as Eboracum in AD 71, it became capital of the Roman province of Britannia Inferior, and later of the kingdoms of Northumbria and Jorvik (mostly controlled by Vikings 875 to 954). In the Middle Ages, York grew as a major wool trading center. In the 1800s, York became a hub of the railway network and center for confectionery manufacturing. The University of York, health services, and tourism have become major employers.

York Minster, built over 250 years 1220-1472 AD, is one of the finest medieval buildings in Europe. Also known as St Peter’s, its full name is “Cathedral and Metropolitical Church of St Peter in York.” York Minster is the seat of the Archbishop of York, the second-highest office of the Church of England. “Minster” refers to churches established in the Anglo-Saxon period as missionary teaching churches, and now serves as an honorific. As the center of the Church in the North, York Minster has played an important role in great national affairs, such as during the Reformation and Civil War.

Car rental tips

Renting a car one way from York to Manchester (our entry & exit airport) for 2 weeks allowed us to easily see the following sights in Northern England on our way to and from 12 days in Scotland. We rented a peppy Vauxhall Astra hatchback car with automatic transmission from AutoEurope.com for just US$33 per day (plus gas $6 per gallon, at 50+ mpg) and quickly learned to drive on the left through hundreds of efficient roundabouts. The United Kingdom still indicates miles and MPH on road signs, but metric for most everything else.

Fountains Abbey, Studley Royal Park


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Fountains Abbey is one of the largest and best preserved ruined Cistercian monasteries in England. Visit it near Ripon and Aldfield, in North Yorkshire. The adjacent Studley Royal Park features striking 1700s landscaping, gardens and canal. Founded in 1132, the abbey operated for 407 years becoming one of the wealthiest monasteries in England until its dissolution in 1539 under the order of Henry VIII. Studley Royal Park including the Ruins of Fountains Abbey is honored as a UNESCO World Heritage Site.

Dunstanburgh Castle, Northumberland


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Walk 3 miles round trip from Craster village to the impressive ruins of 1300s Dunstanburgh Castle on the coast of Northumberland. The castle was built by Earl Thomas of Lancaster between 1313-1322 on existing earthworks of an Iron Age fort. Thomas was a short-lived leader of a baronial faction opposed to King Edward II. This strategic northern stronghold never recovered from seiges during the Wars of the Roses 1455-1487 after it changed hands several times between rival Lancastrian and Yorkist factions. King James I sold the fort into private owndership in 1604. Dunstanburgh Castle is now owned by the National Trust and run by English Heritage.

Bamburgh Castle, Northumberland


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The site of Bamburgh Castle was originally a Celtic Brittonic fort known as Din Guarie, possibly the capital of the kingdom of Bernicia from its foundation circa AD 420-547. After passing between Britons and Anglo-Saxons three times, Anglo-Saxons gained control in 590, but it was destroyed by Vikings in 993. The Normans later built a new castle here, forming the core of the present one. After a revolt in 1095 (supported by the castle’s owner), it became the property of the English monarch. 1600s financial difficulties led to its deterioration. Various owners restored it from the 1700s-1800s, ending with complete restoration by Victorian era industrialist William Armstrong. Today, the Armstrong family owners keep Bamburgh Castle open to the public. It was a film location for “Robin Hood” (2010) directed by Ridley Scott.

Holy Island of Lindisfarne, Northumberland


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Holy Island history dates from the 500s AD as an important center of Celtic Christianity under Saints Aidan of Lindisfarne, Cuthbert, Eadfrith of Lindisfarne, and Eadberht of Lindisfarne. After Viking invasions and the Norman conquest of England, a priory was reestablished. A small castle was built on Holy Island in 1550.

Hadrian’s Wall


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Hadrian’s Wall (Latin: Vallum Aelium) at Steel Rigg, England, United Kingdom, Europe. As the Roman Empire’s largest artifact, Hadrian’s Wall runs 117.5 kilometers (73.0 miles) across northern England, from the banks of River Tyne near the North Sea to Solway Firth on the Irish Sea. Much of the wall still stands and can be walked along the adjoining Hadrian’s Wall Path. Within the Roman province of Britannia, it defended the northwest frontier of the Roman Empire for nearly 300 years. It was built by the Roman army on the orders of the emperor Hadrian in the 6 years following his visit to Britain in AD 122. From north side to south, the wall comprised a ditch, stone wall, military way and vallum (another ditch with adjoining mounds). The wall featured milecastles with two turrets in between and a fort about every five Roman miles. Hadrian’s Wall is honored as a World Heritage Site. The wall lies entirely within England, and is unrelated to the Scottish border, which lies north of the wall at distances varying from 1-109 kilometers (0.6–68 miles) away.

USA: Hawaii

The striking natural beauty of the state of Hawaii has attracted me six times, and I will gladly return. The islands of Hawaii, Kauai, and Maui offer some of the best hiking experiences in the world. Our latest Hawaii trip was 2017 Jan 16 – Feb 6, visiting Oahu, Kauai and the Big Island.

Hawaii favorites:


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Our biggest excitement in Hawaii 2017 was seeing lava jetting into the ocean and exploding:

Above video: From late afternoon through twilight on February 1, 2017 we rented bicycles for the 8 miles round trip on a gravel emergency road to see molten rock exploding in the ocean at Kamokuna in Hawaii Volcanoes National Park, just west of Kalapana on the Big Island, Hawaii, USA. On Kilauea volcano’s south flank, Pu’u O’o crater has been erupting continuously since 1983, making it the world’s longest-lived rift-zone (or flank) eruption of the last 200 years. Since 1987, Hawaii’s southern coastal highway has been buried under lava up to 115 feet thick. Kilauea is between 300,000 and 600,000 years old and emerged above sea level about 100,000 years ago. (Tahitian drumming heard in this video was recorded on my smartphone from the evocative Polynesian Cultural Center on Oahu.)

Oahu


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Kauai


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The 11-mile Kalalau Trail is one of my favorite backpacking trips in the world. The trail crosses five valleys and ends at Kalalau Beach, blocked by sheer cliffs (or Pali, in Hawaiian). Thankfully, State permits limit the number of overnight hikers to this wonderful area. You can also find greater solitude in the off season (non-summer).

The Na Pali Coast is so spectacular that noisy flight-seeing helicopters fly over steadily, within earshot for over half of all daylight minutes. Hikers should adjust their expectations accordingly for this steady onslaught to the ears. Admittedly, I have flown over Kauai in a helicopter twice and affirm that the views are truly astounding, including full circular rainbows. However, the views will have more personal, intimate meaning when you invest “sweat equity” by hiking or kayaking. (Zodiac boats are not allowed to drop off or pick up hikers on Kalalau Beach — you must earn this experience by backpacking.)

Waimea Canyon, the “Grand Canyon of the Pacific,” is mostly a State Forest Reserve, open to hiking as well as hunting for invasive feral pigs.

“The Big Island” of Hawaii


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Humans first populated the Hawaiian archipelago on the Big Island, around 300-600 AD. Polynesians bravely canoed here from the distant Marquesas Islands and later from Tahiti. Using large catamaran-like canoes with coconut-fiber sails, Polynesians became some of the finest sailors in history. Early residents left rock pictographs, used simple tools and irrigation, lived in relative harmony with nature, fought wars with each other, and passed down a proud culture through stories and songs to future generations. British Captain James Cook would not discover the Hawaiian Islands, which he called the Sandwich Islands, until a thousand years later, in 1778.

The Big Island is geologically the youngest island in the 25-million-year-old Hawaiian chain — in fact it is still being created! Lava flows have blocked the Chain of Craters Road, and molten lava pours regularly into the Pacific Ocean. You can actually watch the Big Island grow. UNESCO has honored Hawaii Volcanoes National Park on their list of World Heritage Areas.

MauiA rare silversword plant blooms in Haleakala National Park, Maui, State of Hawaii, USA.

Backpacking in Haleakala National Park on Maui is one of my favorite experiences. Haleakala visitors can also day hike, ride horseback, bicycle, and drive through the fantastic scenery and rare ecosystems of this 10,023-foot dormant volcano. Bicyclists can coast down 10,000 vertical feet on the 40-mile road from the summit of Mount Haleakala. Commercial operators offer supported bicycle descents.

As you hike or ride horseback across Haleakala Crater, the dry moonscape turns into a lush green cloud forest over just 6 miles. The crater forms a bowl 7.5 miles long and 2.5 miles wide, and its floor averages 6700 feet in elevation. With a National Park camping permit, you can sleep overnight in the crater in your own tent. Or reserve one of the three cabins by lottery. Morning mists drift through the cinder cones in Haleakala Crater and often evaporate by mid-afternoon.

See the official bird of the state of Hawaii, the Nene (or Hawaiian Goose, Branta sandvicensis) grazing in and around Haleakala Crater, especially near campsites (but please keep them natural and don’t feed them). The nene (Branta sandvicensis, or Hawaiian goose) is endemic to the Hawaiian Islands and is the official state bird. Nenes are found in the wild on the islands of Oahu, Maui, Kauai, Molokai and Hawaii (the Big Island). Nene DNA indicates that the species evolved from the Canada goose (Branta canadensis) which likely arrived in this archipelago about 500,000 years ago, shortly after the volcanic Big Island emerged from the sea.

Related to sunflowers, silversword plants (Argyroxiphium genus) grow for up to twenty years before a blooming with a huge flower stalk between May and November. After just a single gigantic bloom, the plant dies. In Haleakala Crater, the fascinating native silversword plants are endangered by feral goats. Silverswords grow only on Maui and the Big Island.

Recommended books for Hawaiian Islands travel

Search for latest “Hawaii travel books” on Amazon.com (look for updates every 1 to 3 years).

2017 Jan: Hawaii: Oahu, Kauai & Big Island, lava exploding into ocean

On the islands of Oahu, Kauai and the Big Island from January 16 – February 6, 2017, we rediscovered Hawaii. Having last visited 20+ years ago, I found traffic worse now, but magic can still be found.

Hawaii favorites:


Click here to reach my “USA: Hawaii: Favorites” Portfolio gallery to Add images to Cart (to buy Downloads, Prints, or Products such as canvas wraps or picture puzzles).

Our biggest excitement was seeing lava jetting into the ocean and exploding:

Above video: From late afternoon through twilight on February 1, 2017 we rented bicycles for the 8 miles round trip on a gravel emergency road to see molten rock exploding in the ocean at Kamokuna in Hawaii Volcanoes National Park, just west of Kalapana on the Big Island, Hawaii, USA. On Kilauea volcano’s south flank, Pu’u O’o crater has been erupting continuously since 1983, making it the world’s longest-lived rift-zone (or flank) eruption of the last 200 years. Since 1987, Hawaii’s southern coastal highway has been buried under lava up to 115 feet thick. Kilauea is between 300,000 and 600,000 years old and emerged above sea level about 100,000 years ago. (Tahitian drumming heard in this video was recorded on my smartphone from the evocative Polynesian Cultural Center on Oahu.)

Click here to see all my images from this Hawaiian Islands trip in day by day order January 16 – February 6, 2017.

Hawaii galleries for each island:

Oahu:


Click here to reach my “Hawaii: Oahu” Portfolio gallery to Add images to Cart.

Kauai:


Click here to reach my “Hawaii: Kauai” Portfolio gallery to Add images to Cart.

Big Island:


Click here to reach my “Hawaii: Big Island” Portfolio gallery to Add images to Cart (to buy Downloads, Prints, or Products such as canvas wraps or picture puzzles).

Maui:

1987 photo: A rare silversword plant blooms in Haleakala National Park, Maui, State of Hawaii, USA. Related to sunflowers, silversword plants grow for up to twenty years before a blooming with a huge flower stalk between May and November. After just a single gigantic bloom, the plant dies. In Haleakala Crater, the fascinating native silversword plants are endangered by feral goats. Silverswords grow only on Maui and the Big Island.

2016 Sept: Oregon: Wallowa: Eagle Cap Wilderness backpack

From September 11-13, 2016, we enjoyed walking 22 miles in 3 days backpacking to Mirror Lake and idyllic Glacier Lake in Eagle Cap Wilderness, within Wallowa–Whitman National Forest, in the Wallowa Mountains, on the Columbia Plateau of northeastern Oregon. Scenery of “the Wallowas” resembles that of California’s Sierras but is much closer to Seattle!


Click here to reach my “Oregon: East: Wallowa: Eagle Cap Wilderness” Portfolio gallery to Add images to Cart (to buy Downloads, Prints, or Products such as canvas wraps or picture puzzles).

Our 3-day, 22-mile route was as follows:

  1. Hike 7.3 miles gaining 2000 feet from Two Pan Trailhead (5600 ft) up East Lostine River to camp at popular Mirror Lake (7606 ft). This excellent base camp has lots of sites (but adjacent Sunshine Lake may be more photogenic and less crowded), with three good day hikes for extended stays:
  2. Day hike from Mirror Lake to Glacier Lake via Glacier Pass (6 miles round trip, 1200 ft gain), highly recommended! Other options from Mirror Lake include (not done by us):
    • Ascend Eagle Cap, a short and steep 3.5 miles round trip gaining 2000 feet.
    • Loop via Moccasin Lake to Douglas Lake and Horseshoe Lake, 8.6 miles gaining 500 feet (or omitting Horseshoe makes 5-mile loop).
  3. Backpack out 8.7 miles via scenic Carper Pass (800 feet gain) to remote Minam Lake and West Fork Lostine. Walking out this different route adds variety to the trip but creates a more-punishing 3000-foot cumulative descent back to Two Pan Trailhead. Minam Lake suffered from low water levels this September, but the outlet West Fork Lostine River was pleasant to explore.

If you have 4+ days, considering reversing the loop and camping the first night at less-crowded Minam Lake, then the second/third nights at one of the following: Upper Lake (good base for ascent of Eagle Cap), or popular Mirror Lake, or nicer Sunshine Lake, nearby Moccasin Lake, or most-beautiful Glacier Lake (which is more effort over a ridge 1000 ft up, 200 down).

Directions: In the northeast corner of Oregon, from Pendleton, take Interstate 84 east to La Grande. Turn north on State Highway 82 through Elgin to Lostine (10 miles west of Enterprise). In Lostine, go 7 miles south on Lostine River Road to the National Forest boundary where it turns into Forest Road 8210, up Lostine Canyon for 11 more miles to the end of the narrow gravel road with some washboard roughness. At the trailhead, backpackers self-issue their own Wilderness Visitor Permit, one per group. Horse-packers can be booked to assist your trip.

Other good hikes in the Wallowa Mountains:

From Wallowa Lake Trailhead, attractive Ice Lake is 15.4 miles round trip (not yet done by Tom). From Ice Lake, the scenic white granite Matterhorn is 1977 feet gain in 3.4 miles round trip to an impressive view. A good inexpensive base with hot showers is Wallowa Lake State Park (just south of Joseph and Enterprise, Oregon). Optional extension:

  • From the Ice Lake Trail junction (2.6 miles one way from Wallowa Lake Trailhead), the following scenic extension adds 21.3 miles round trip: a lollipop-shaped loop to Horseshoe Lake, Douglas Lake, Moccasin Lake, Mirror Lake and Glacier Lake.

See also our nearby hikes in Hells Canyon and Eastern Oregon.

2016 August: Switzerland via Alpenwild tours

In one of our best trips ever, Carol and I hiked in Switzerland 25 days out of 35 from July 27 to August 30, 2016. We walked about 200 miles via trailheads connected by the world’s handiest public transportation. Included was my professional photography of two wonderful tours by Alpenwild.com, the world’s largest provider of English-language Alps tours.

See my trip images: 2016 Switzerland galleries.

To plan your next trip, see my illustrated online guide to the Alps.

In the following video captured at unforgettable Eigeralp farm in Bussalp above Grindelwald, the cheesemaker gave an impromptu accordion concert, inspiring some to dance:

Video from within the slot canyon of Trummelbach Falls, Lauterbrunnen:

Switzerland itinerary map 2016

Switzerland travel map: Zurich, Schaffhausen, Stein am Rhein, Appenzell, Berner Oberland, Valais, Engadine. (Tom Dempsey)

A geographic travel map of Switzerland shows a month itinerary starting from Zurich (doing 25 hikes in 35 days July 27-August 30) in Schaffhausen, Stein am Rhein, Appenzell, Berner Oberland, Valais canton (Fiesch, Verbier, Zermatt) and Engadine Valley, in Europe.

Alpenwild.com

As an Artist in Residence for Alpenwild.com in summer 2016, I captured 4000 images in Switzerland (see my galleries) for company promotion. Alpenwild is the world’s largest provider of English-speaking tours in Switzerland. In response to my photos, Alpenwild founder Greg Witt said:

These are absolutely stunning—I couldn’t be happier. Some of us in the office today going through your 342 favorites and each one brought back a lot of memories and also generated a lot of excitement as we discussed where and how we can best use these for maximum impact.

While I had already designed a detailed self-guided trip covering 5 weeks, Alpenwild’s expert guidance further refined the trip, adding much to our comfort and enjoyment, including the following two wonderful week-long packages:

Sony A6300/A6000, best APS-C dim-light sports/action camera; rivalled by RX10 III

Are you looking for a great camera having an APS-C-size sensor? The best, most-portable APS-C camera can capture quick sports action and subjects in dim light with fast autofocus: Sony Alpha A6300 camera (buy at Amazon with 16-50mm lens) (2016, 14 oz body + 4 oz 24-75mm equiv zoom). Or save hundreds of dollars on earlier Sony A6000 (2014, 12 oz body), nearly as capable.

However, a smaller 1-inch-Type BSI sensor can now equal or beat virtually every advantage of APS-C cameras (which at best have no more than 5% advantage in real resolution or maximum print size). Compared to Sony’s RX10 III camera (read my review) which has an amazingly bright 25x zoom lens and more advanced stacked backside illumination (BSI) sensor, both Sony’s A6300 and A6000 now demand only the sharpest zoom or prime lenses to justify their APS-C sensor, for example:

Sony A6300 camera

Sony A6300 mirrorless digital camera

  • Sony 10-18mm f4 OSS E-mount lens (8 oz, SEL1018, 2012) captures exceptionally crisp wide angles for architecture & landscapes at 15-27mm equivalent (mostly wider than the 24mm equivalent of RX10 III, though you can easily stitch images to compensate).
  • Sony E-mount 16-70mm F4 Vario-Tessar T ZA OSS SEL1670Z lens (2013, 11 oz) clearly beats Sony’s 16-50mm kit lens, but costs $600 more! SEL1670Z lens is sharpest around f/5.6 across its range. However, my June 2016 field tests surprisingly revealed that a SEL1670Z mounted on A6300 isn’t much better than the new Sony RX10 III camera. In side-by-side tests, from about 16-50mm (24-75mm equivalent) in direct sunlight, and for closest focus in dim light around 45mm equivalent, SEL1670Z can resolve enough extra detail to make about 5% wider/taller prints than Sony RX10 III, but otherwise not. From 75-105mm equivalent in most lighting situations, or in dim indoor light across its range, SEL1670Z is equaled or beaten by RX10 III in half of my hand-held shots at optimally-sharp apertures. RX10 III’s remarkable performance in dim light is probably explained by its efficient BSI sensor design, plus its larger diameter lens of 72mm (versus just 55mm filter size on SEL1670Z), gathering more light.

While Sony’s E-mount 16-50mm kit lens is exceptionally compact, it isn’t as sharp as SEL18200 or E 18-55mm lenses. And since the May 2016 introduction of Sony’s RX10 III camera with superior optics, I no longer recommend using the following 10x or 11x zoom lenses on Sony A6300 or A6000 or NEX:

In order to equal or beat RX10 III, owners of a Sony A6300 or A6000 may need one of the following hefty, pricey Sony FE Series (full-frame) lenses:

  • Sony FE 24-70 mm F2.8 GM SEL2470GM lens (2016, 31 oz) is brighter than the F3.2-4 of RX10 III at this 36-105mm equivalent zoom range on A6300.
  • Sony FE 70-300mm F4.5-5.6 G OSS SEL70300G lens (2016, 30 oz) reportedly grabs good sports & wildlife shots on A6300. But within this range from 105-450mm equivalent, I suspect that the significantly faster F4 of RX10 III rivals the image quality of SEL70300G lens when tested side by side. RX10 is a better value and more portable for travel.
  • Sony FE 70-200mm F2.8 GM OSS SEL70200GM (2016, 52 oz) has bright, premium glass, advantageous for dim light photography, a full stop faster than RX10 III (which is F4 within this 105-300mm equivalent range). Has anyone compared this side-by-side with RX10 III in the field? — please “Leave a Reply” at bottom.
  • Sony FE 70-200mm F4 G OSS SEL70200G lens (2014, 30 oz) has premium glass, but is no brighter than the F4 of RX10 III within this 105-300mm equivalent range.
  • Sony FE series lenses support Sony A7 series full-frame cameras, and also APS-C-sensor E-mount cameras (A6300, A6000 and earlier NEX-6 & NEX-7).

Clearly, Sony’s A6300 & A6000 are now outgunned for outdoor travel photographers, as Sony Cyber-shot DSC-RX10 III camera (buy at Amazon) packs the ultimate all-in-one travel tool into just 37 ounces. The RX10’s weather-sealed, bright f/2.4-4 lens (72mm filter diameter) with remarkable 25x zoom is sharp across the frame from 24-600mm equivalent, well into birding territory (read my Telephoto article). With the latest 1”-Type stacked BSI sensor, RX10 captures great depth-of-field details, everywhere from close flower shots to distant bird feathers. In my testing, RX10 III clearly beats the 11x SEL18200 lens (62mm filter diameter) on flagship APS-C Sony A6300 anywhere above 90mm+ equivalent telephoto, even as high as ISO 6400, due to the faster lens and BSI technology compensating for sensor size difference. At wider angles, 27-80mm equivalent, they capture similar quality in bright outdoor light — but in dim or indoor light, A6300’s larger sensor can sometimes resolve more detail on SEL18200. The sharper zoom SEL1670Z is only about 5% better than RX10 in bright light, and no better in dim light.

Conclusion: Among APS-C sensor cameras, Sony A6300 is my pick for top quality and best value; but now the Sony RX10 III with a smaller 1-inch-Type BSI sensor, combined with superb 25x lens, is a much better value than APS-C for travel, sports or wildlife photography. To gain up to about 5% in real resolution over RX10 III, the Sony A6000/A6300/A6500 cameras require interchanging only the brightest, highest-quality lenses (such as pricey f/2.8 lenses, Sony FE 24-70mm or FE 70-200mm). Lesser-quality lenses on APS-C are now antiquated by the all-in-one Sony RX10 III camera.

Sony A6300 camera improves upon earlier A6000 as follows:

  • 425 phase-detection autofocus (AF) points across the sensor (versus 179 in A6000). These cameras use a hybrid of on-sensor phase detection (for depth awareness) and contrast detection autofocus (for high precision).
  • Big viewfinder OLED 2.36 million dots with optional 120 fps refresh (versus 1.44 million in A6000).
  • Battery life increased to 400 shots, or 350 with EVF (versus 360 shots, or 310 with EVF in A6000).
  • A6300 is one of the top APS-C cameras at high ISO: A6300 improves ISO 1600 clarity by about a half stop, ISO 3200 by a full stop less noise compared to A6000.
  • A6300 introduces UHD 4K video (3840 x 2160 pixels at 30p). With Samsung apparently orphaning its NX1, the A6300’s video abilities are only rivaled by Panasonic GX and GH models.
  • Horizontal level gauge added.
  • Body is now magnesium alloy, environmentally sealed.
  • 14-bit raw format introduced (when using mechanical shutter) versus 12-bit raw in A6000.
  • improved Auto ISO settings

All these improvements in the A6300 come in a slightly heavier 14.3-ounce body weight (with battery & card; versus A6000’s 12.1 oz), still significantly lighter-weight than most DSLR-style cameras.

Suggested accessories for Sony A6300 and A6000:

If you don’t need a viewfinder, a cheaper Sony A5100 adds touchscreen and includes A6000’s hybrid autofocus system.

Read about A6300’s predecessors and more lens analyses: Sony A6000 & NEX top Nikon for travel, 11x lens.

Panasonic ZS100 pocket 10x zoom bests Sony RX100 for travel

In 2016, the most portable 10x zoom on a 1-inch-Type sensor is Panasonic LUMIX ZS100 camera (Amazon) (11 oz, 25-250mm equivalent). ZS100 is now my favorite camera which can fit a large shirt pocket. In this impressive 2016 feat of miniaturization, daylit image quality from the 20-megapixel ZS100 can rival all of my cameras used over 34 years through 2012 (beating my cameras up to 4 times heavier, up to 11x zoom range, up to 12 megapixels, at base ISO 100).

Although rival Sony RX100 (of 2015, read my review) is admittedly sharper throughout 3x zoom, Panasonic ZS100 focuses closer at more zoom settings and enormously extends optical telephoto reach. Anywhere from 3x to 10x zoom (70-250mm equivalent), the ZS100 easily beats digital cropping of Sony RX100’s furthest reach (70mm in versions III & IV). ZS100’s good telephoto remarkably expands your capture of wildlife and distant small subjects, more sharply than pocketable rivals or smartphones (see heron photo further below).

Panasonic ZS100 vs Sony RX100 III size

Compare lens and size of Sony DSC-RX100 III with Panasonic ZS100 digital camera. The ZS100 is fatter but can still squeak into a large shirt pocket.

Compare body sizes:

  • 102 x 58 x 41 mm (4.02 x 2.28 x 1.61) Sony RX100 versions III and IV
  • 111 x 65 x 44 mm (4.37 x 2.56 x 1.73″) Panasonic ZS100

Related reading: why larger sensors can improve image quality.

Panasonic ZS100 beats macro focus of Sony RX100

ZS100 captures best macro (close focus) when zoomed by 2x, near 44mm equivalent, to minimize excessive corner softness seen at wider angles of view. You must first press the Macro (Flower symbol/left toggle) button to focus closest. In contrast, Sony RX100 III focuses closest only at 24mm equivalent (widest angle of view), lacks a dedicated macro mode, and cannot enlarge subjects as much. Panasonic ZS100 can enlarge small subjects more sharply than Sony RX100.

Because macro was one of my main reasons for carrying an RX100 (to supplement a larger-sensor APS-C system with 11x zoom which captured poor macro), a ZS100 now serves better as our backup travel camera for my wife to carry.

Surprisingly good telephoto sharpness

Carrying a pocket camera with 10x zoom around town lets me capture unexpected moments like this at a distance:

Panasonic ZS100 shot at 250mm

Above: A Great Blue Heron on a boat spears a fish along the Cheshiahud Lake Union Loop in Seattle, Washington. At 250mm equivalent zoom in sunny conditions, the Panasonic Lumix ZS100 camera captures surprisingly good detail in the heron’s head and feathers (portions shown at 100% pixel view). Even the shadowy “Yamaha” letters look reasonably sharp at the edge of the frame. Photographed at ISO 125, f/5.9, 1/1000th sec.

The above overall image (originally 20 megapixels, 5472 x 3648) can be cropped to isolate the heron at 1764 x 1348 pixels, which is enough to print sharply about 7″ high (at 250dpi). Much better than a smartphone camera, Panasonic ZS100 gives you lots of leeway to share digitally cropped telephoto shots on the internet, as in the example below shrunk to 600 pixels high:

Great Blue Heron spears fish

A Great Blue Heron spears a fish. Photographed along the Cheshiahud Lake Union Loop in Seattle, Washington, USA.

Sony RX10 III superb 25x travel zoom outshines 11x on APS-C

New in May 2016, Sony Cyber-shot DSC-RX10 III (buy at Amazon) is now my ultimate travel camera. It features a bright f/2.4-4 lens with incredible 25x zoom, sharp across the frame throughout its remarkable 24-600mm equivalent range, well into birding territory. I no longer need to carry a pocket camera for improving close-focus shots, as RX10 already has a 1”-Type sensor. With deeper depth of field than APS-C or larger-sensor cameras for a given f-stop, it enhances details from close flower shots to distant bird feathers at 600mm equivalent telephoto. This all-in-one marvel is also my top pick for portable wildlife telephoto. The chunky RX10 III weighs just 37 ounces (including battery & card; plus adding 5 oz for strap, lens filter, cap & hood makes 42 oz). RX10 III is the world’s most versatile camera for on-the-go outdoor photographers. Further below, compare with rivals and learn about important hidden settings and accessories.

Sony RX10 III camera

The versatile Sony RX10 III camera has a 25x zoom range, 24-600mm equivalent f/2.4-4 lens.

In a breakthrough for travel photographers, Sony has more than doubled my former zoom range while improving image quality. The professionally-sharp, bright 25x zoom of RX10 III resoundingly beats the resolution of my previous favorite Sony 11x zoom lens SEL18200 on flagship APS-C Sony A6300 anywhere above 90mm+ equivalent telephoto, even as high as ISO 6400. To my delight, RX10’s faster, larger-diameter lens (72mm filter size) plus backside illumination (BSI) sensor technology together magically compensate for the sensor size difference. At wider angles, 27-80mm equivalent, both capture similar quality in bright outdoor light. Advantageously, RX10 stretches to a wide view of 24mm equivalent. In dim/indoor light, A6300’s larger sensor can sometimes resolve more detail than RX10III, but not consistently in my real world comparisons using SEL18200 and SEL1670Z lenses. Impressively, Sony claims SteadyShot stabilization of up to 4.5 stops of benefit (in terms of slower shutter speed handheld) for this model DSC-RX10M3.

For me, RX10 III’s only weakness is frequent failure to lock focus on the far telephoto end 400-600mm equivalent in dim light or on low-contrast subjects, which can be worked around by upgrading to Sony RX10 IV (price at Amazon) (or by using Manual Focus, or by using rival Panasonic FZ2500 compared below).

TIP: Despite Sony’s claim of “dust and moisture-resistant” body, DON’T EXPOSE YOUR CAMERA TO RAIN (even if immediately wiped off), as wind-driven droplets killed my RX10 III. Despite its weather sealing keeping dust and condensation out of the lens throughout 16 months, one fateful rainstorm shorted-out its focus and LCD (sadly outside of its 1-year Sony Warranty). Rather than risking an estimated $656 repair (whose 90-day guarantee is voided by “liquid damage”), I bought a new RX10 III (to complete my UK photo shoot), soon to be sold, as I upgrade to RX10 IV.

Unprecedented versatility with publishable image quality have made Sony RX10 III my main travel camera for 2016-2017. 

Three extracts from the edges and center of this Chilean Flamingo image show the crisp 600mm-equivalent telephoto reach of Sony RX10 III:

Chilean Flamingo, Woodland Park Zoo

Field tests confirm that Sony RX10 III is sharp across the frame at all zoom settings (optimally sharpest around f/4 from 24-400mm equivalent and at f/5.6 from 500-600mm). Even at maximum telephoto 220mm (600mm equivalent), extracts from both the edges and center are notably crisp (enlarged at 100% pixel view in the above photo). {Shot at optimal aperture f/5.6, for 1/1600th second at ISO 100. In Adobe Lightroom, raw file exposure was adjusted +1.86 EV, Highlights -84, plus Sharpening. The photo is from Woodland Park Zoo in Seattle, Washington.}

More details:

As of 2016, I rank the world’s top travel cameras as follows, shown best first and smallest last:

  1. Sony RX10 III (May 2016, 37 oz, 25x zoom 24-600mm f/2.4-4): the best travel camera of 2016 handily beats its closest rivals having 1” BSI sensor. It has a nice tilting LCD, but no touchscreen.
  2. Panasonic FZ2500 (December 2016, 33 oz, 20x zoom 24-480mm f/2.8–4.5): costs 25% less, adds a fully articulated LCD with touchscreen, increases viewfinder magnification (EVF 0.74x versus 0.7x), autofocuses faster, has better menus and improves video specs (ND filter, Cine/UHD 4K), in comparison to Sony RX10 III. But FZ2500’s lens collects a half stop less light, slightly lowering image quality; its telephoto doesn’t reach long enough for birders; and its CIPA battery life of 350 shots is shorter than RX10III’s 420 shots. (FZ2500 is FZ2000 in some markets.)
  3. Panasonic FZ1000 (2014, 29 oz, 16x zoom 25-400mm f/2.8-4.0): best price value (costs half of RX10 III). Adds fully-articulated LCD and autofocus for action & sports is a bit faster than RX10 III.
  4. Pocketable: Panasonic ZS100 (price at Amazon) (2016, 11 oz, 10x zoom 25-250mm equivalent f/2.8-5.9): Read my ZS100 review. ZS100 introduces the first pocketable 10x zoom on a 1-inch-Type sensor, capturing close macro at more zoom settings and enormously extending optical telephoto reach beyond my 3x-zoom Sony RX100 (read my 2012-15 review). Anywhere from 3x-10x on Panasonic ZS100 beats digital cropping of rival Sony RX100 (which stops at 70mm equivalent in versions III and IV).
  5. Half-price pocketable: Panasonic ZS50 (2015, 9 oz, 30x zoom 24–720mm f/3.3–6.4, 12 mp) is a nice little camera with a rare viewfinder and a small 1/2.3″ sensor that still beats smartphone quality. (TZ70 outside of North America.)

Sony RX10 III beats the following midsize rivals for versatile lightweight travel:

  • APS-C flagship Sony Alpha A6300 (2016, 33 oz = 14 oz body + 11x zoom 27-300mm equivalent f/3.5-6.3 lens): its interchangeable-lens capability is made redundant by RX10’s sharp and bright 25x zoom. See my side-by-side test images further below.
  • Canon PowerShot G3 X camera (2015, 26 oz, 25x zoom, 20mp) has 24-600mm equivalent f/2.8-5.6 lens (which is neither as bright nor as sharp as Sony RX10 III). The G3 X buys you lighter travel weight, but you must separately add a pricey $240 viewfinder. Also its older, poorer 1″ sensor is a stop or two worse at ISO 800+ in terms of noise compared to FZ1000 or RX10.
  • The following 44-ounce Nikon 1 interchangeable lens system of 2014 is now outdated:
    • Nikon 1 V3 camera (2014, 14-oz body, 18mp) mounted with Nikkor VR 70-300mm CX format lens (19 oz) has a sharp 189-810mm equivalent zoom but relatively slow f/4.5-5.6 aperture. Capturing normal angles of view requires inconvenient swapping of the 70-300mm lens, such as to 10-100mm CX-format lens (27-270mm equiv, 10.5 oz) for Nikon 1.
    • With fewer megapixels (18mp versus 20mp) shot on a poorer, noisier sensor (at least 2 stops noisier at ISO 400+) using a slower lens, Nikon 1 V3 cannot beat Sony RX10 III.
  • In February 2017, Nikon cancelled its proposed DL camera line of premium compact cameras (DL 18-50, DL 24-85 and DL 24-500 announced in 2016). Nikon DL24-500 would have had a relatively slow f/2.8-5.6 lens (28 oz, 21x zoom, 21mp).

Recommended accessories for Sony RX10 III:

What do I know?

For lightweight travel gear capturing publishable images, I’m not tied to any one system or brand. Instead, I prefer upgrading to the latest, best tool for the job (then selling the old gear locally via Craigslist, in-person for cash). I’ve enjoyed the 24mp APS-C sensor in Sony NEX-7 from 2012-2016 and successor A6300 using Sony’s 18-200mm SteadyShot lens (27-300mm equivalent). Before that, Nikon gear served me well over 11 years (see Tom’s gear history), such as Nikon D5000 APS-C with 18-200mm VR II lens. I began photography in 1978−97 with the classic Olympus OM-1N 35mm-film camera. But switching to digital Canon PowerShot cameras from 2003-07 gave me instant feedback and more freedom from the tripod. Now as of 2016, the 1-inch-sensor Sony RX10 III preserves publishable image quality while radically extending zoom range to 25x. The proof is in the pudding: check out my portfolio.

What do others say? Reviewer Ken Rockwell says the RX10 III is “superb for sports; it really does lock-on to faces and track them as they run down the field, and its non-rolling electronic shutter lets it run silently at 5 real frames per second as it tracks everything…and the RX10 III is astonishing in how much it does so well.” Be sure to turn on Eye AF for instant focus on humans.

Sun starburst (at f/16 using Sony RX10 III camera) shines on lichen growing on twisted old tree wood at Glacier Pass. Backback to Mirror Lake in Eagle Cap Wilderness, Wallowa–Whitman National Forest, Wallowa Mountains, Columbia Plateau, northeastern Oregon, USA. Hike 7.3 miles from Two Pan Trailhead (5600 ft) up East Lostine River to camp at popular Mirror Lake (7606 ft). Day hike to Glacier Lake via Glacier Pass (6 miles round trip, 1200 ft gain). Backpack out 8.7 miles via Carper Pass, Minam Lake and West Fork Lostine. From September 11-13, 2016 Carol and I walked 22 miles in 3 days. (© Tom Dempsey / PhotoSeek.com)

Sony RX10 III can create a special sun starburst effect, only at aperture f/16: see Recommended settings: secrets of the Sony RX10 III” further below. The photo is from Eagle Cap Wilderness (read Tom’s article), Wallowa–Whitman National Forest, northeastern Oregon, USA.

RX10 III rivals a sharp 4x zoom F4 lens on APS-C sensor

According to my side-by-side testing, Sony’s RX10 III camera has a remarkable equality to the flagship APS-C Sony A6300 in dim light, due to RX10 III’s more-efficient BSI sensor design plus its large diameter lens of 72mm gathering more light (versus the much smaller 55mm filter size on the pricey SEL1670Z comparison lens).

Details: In my June 2016 side-by-side tests in bright sunlight, Sony’s sharp F4 16-70mm 4x zoom lens (SEL1670Z, 24-105mm equivalent) mounted on A6300 can resolve linear details only up to 5% better than my Sony RX10 III camera at wide angles of view. SEL1670Z is also sharper for macro in dim or bright light (using closest focus at around 45mm equivalent). But in dim light or at 75-105mm equivalent telephoto, the two systems on average capture equally sharp images, despite the sensor size difference (APS-C versus 1-inch-type).

These field tests demote the APS-C flagship A6300, making it no longer my top travel camera. The gain is nearly insignificant for A6300 to make at most 5% wider or taller prints compared to Sony RX10 III; and A6300’s advantage requires direct sunlight at wide angles of view, or macro. From 75-105mm equivalent in most lighting situations or in dim indoor light across its range (except 45mm macro), SEL1670Z is equaled or beaten by RX10 III in half of my hand-held shots at optimally-sharp apertures, with image stabilization turned on.

You must inconveniently interchange a much heavier, pricier set of lenses on A6300 to rival the quality of RX10 III’s sharp 25x F4 zoom.

My Sony A6300 (read Tom’s review) can still be useful as a lightweight camera for action and indoor event photography (such as weddings) at wider angles of view, such as at 24-105mm equivalent using Sony’s 16-70mm F4 SEL1670Z lens. (The SEL1670Z lens has good macro when set at 30mm, which is 45mm-equivalent in terms of full-frame’s angle of view.) The A6300 has a bit quicker autofocus such as for tracking of moving subjects, which I rarely use. But future upgrades to Sony’s A6300 will require new advances, such as more megapixels and the creation of backside illumination (BSI) sensors at APS-C size, in order to gain a clearer advantage over the groundbreaking Sony RX10 III.

How does Sony RX10 III compare to full-frame?

For a significant jump up in quality, night photographers and big-print professionals can consider using fast lenses on Sony a7R II (price at Amazon) (2015, 22 oz body), a big 42-megapixel full-frame mirrorless camera, featuring the world’s first 35mm-size BSI CMOS sensor, plus a 5-axis image stabilization built into the body, hybrid autofocus, and 4K video, good for capturing the northern lights or indoor action.

But for me, full-frame systems are too bulky and expensive for travel, especially in terms of zoom range. If money is no object, using Sony’s 10x zoom FE 24-240mm f/3.5-6.3 lens (28 oz) on A7 IIR’s 42mp sensor (50 oz total camera+lens) should buy quality at wide angles better than RX10III’s smaller 20mp sensor (37 oz). But RX10III’s f/4 quality should beat cropping down the 42mp to reach the 500-600mm equivalent necessary for wildlife and bird photos. Realistically, A7 IIR’s incredible sensor so greatly exceeds the quality of the FE 24-240mm lens that only sharper, faster lenses should be considered. In comparison, RX10 III is much more portable (37 oz versus 50+ oz) and its 20 megapixels are plenty for my professional publishing needs.

In historical perspective, the Sony RX10III makes prints far bigger than my full-frame 35mm film cameras used 1978-2004.

Compact 25x zoom RX10 III beats APS-C travel systems using 11x to 19x

In 90% of my test shots (see examples below), the RX10 III beat image quality from the much bigger sensor (APS-C) in Sony’s flagship A6300 mounted with 11x Sony SEL18200 silver lens (27-300mm equivalent). Similarly, I expect RX10 III should also beat the 10x zoom Sony FE 24-240mm f/3.5-6.3 OSS E-mount SEL24240 lens (see at Amazon) on A6300. RX10 III should likewise outperform Tamron’s 19x zoom 16-300mm equivalent lens and best all current 11x-17x zoom lenses by Nikon, Canon and Sigma (when mounted on APS-C systems of up to 24 megapixels), based upon how similarly SEL18200 compares to them in reviews at SLRgear.com, DxOMark.com, and others.

According to my practical field tests, the 20-megapixel RX10 III excels at close focus (best macro enlargement around 40-50mm equivalent), at 24-27mm wide angle, and at stunning telephoto from 80-600mm equivalent, well into the range of wildlife/bird photography. No rival comes close in its weight class.

In comparison, Sony’s flagship APS-C camera, the A6300 mounted with my trusty 11x travel zoom (silver model SEL18200 with relatively slow aperture f/3.5-6.3) resolved slightly more image details only within a sweet spot from 30-60mm equivalent (where 24 megapixels could beat RX10’s 20mp), especially at ISO 640+. But to my delight throughout 90-600mm equivalent, the RX10 III consistently beat the SEL18200 lens through ISO 6400, due to brighter lens, superior optics and BSI technology, a stellar performance from a sensor 3 times smaller!

Note: Sony’s 11x SEL18200 lens suffers substantial bloating from barrel distortion at its widest angles of view (27-42mm equivalent) and is squeezed by pincushion distortion at 50-150mm equivalent (which I corrected using Adobe Lightroom’s Enable Lens Profile Corrections in the examples below). In contrast, the RX10 III captures crisp rectilinear lines, great for architecture photography — thankfully recorded with distortions and chromatic aberrations all auto-corrected by default using a “Built-in Lens Profile” in both JPEG and raw, straight out of the camera!

Despite superior autofocus performance by Sony Alpha a6300 (price at Amazon), especially in dim indoor light, its success rate capturing detailed images suffers when using Sony SEL18200 lens, which is sharp at center but rapidly fuzzier towards the edges, especially at 100-300mm equiv.

To rival the crisp 25x zoom of 37-ounce RX10 III, an APS-C-sensor camera would need to interchange lenses on a pricier system weighing more than 55-66 ounces − inconvenient for travel. For example, Sony’s 14-ounce A6300 body now begs for the following bulkier, pricier system to replace the Sony 11x SEL18200 lens:

  1. Sony E-mount 16-70mm F4 Vario-Tessar T ZA OSS SEL1670Z lens (Amazon) (2013, 11 oz).
  2. Sony FE 70-300mm F4.5-5.6 G OSS SEL70300G lens (2016, 30 oz).
  3. Sony DSC-RX100 (IV, III, II, or I) pocket camera for decent macro.
Critical photo comparisons of Sony RX10 III versus A6300 with SEL18200

For realistic comparison, test images on this page have been shot as raw files, corrected, and optimized. Sony RX10 III images shown at 100% pixel view have been upscaled from 20 to 24 megapixels to line up against the Sony A6300 images shot on SEL18200 lens (for normalization as in a same-size print comparison). Active animals were shot at 1/500 second in Shutter Priority mode to freeze motion blur. Static subjects were shot near camera-equivalent apertures to equalize depth of field (for example, f/4 on 1” sensor has same pupil diameter as f/7.1 on APS-C, as calculated from their relative diagonal crop factor of 1.77). ISO was shot on Auto then reported for each shot.

In the following comparison at 340mm equivalent, the RX10 III captures superior sharpness in the bird’s feather details:

Compare Sony at 340mm, ISO 2500

Above: Shooting in challenging shady lighting at 340mm equivalent at ISO 2500 using Sony RX10 III camera clearly beats the sharpness of Sony’s 11x SEL18200 lens at its maximum 300mm equivalent on A6300.

In the following dim indoor image shot at high ISO 6400 without flash, the superior optics of Sony RX10 III clearly beat a Sony A6300 with SEL18200 lens, both zoomed to 195mm equivalent:

Test 195mm ISO6400 Sony RX10III vs A6300 SEL18200

Above: Two test shots are compared at 195mm equivalent at ISO 6400 using Sony RX10 III versus A6300 using 11x silver SEL18200 lens. RX10 is slightly sharper at center and clearly superior at upper left and lower right edges. Tests confirm that Sony’s SEL18200 lens is notably soft around the edges anywhere from 100-300mm equivalent, causing it to lose against Sony’s brighter RX10 III lens despite the sensor size difference.

In the following image at 27mm equivalent at base ISO 100, the RX10 III wins by a hair over A6300 with SEL18200:

Sony RX10III vs A6300 at 27mm

Above: Compare at 27mm equivalent, ISO 100, Sony RX10 III versus A6300 with 11x SEL18200 lens.

Other testing shows that after correcting for distortion, the Sony A6300 with 11x SEL18200 lens can only beat RX10 III in dim lighting within a sweet spot from 30-60mm equivalent (assisted by its 3-times-larger sensor). But in bright outdoors, you see little difference at wide angles of view. In effect, the A6300 begs for a sharper lens, such as Sony 16-70mm F4 or a set of prime lenses which require interchanging (too inconvenient for my travel photography). Comparatively speaking, A6300 with 11x zoom now lacks sufficient quality and versatility for a given travel weight. For my typical outdoor nature photography on the go, RX10 III captures superior edge-to-edge details at more zoom settings.

Recommended settings: secrets of the Sony RX10 III

  • Through most of its 25x zoom range, RX10 III is sharpest when shot about f/4 aperture; but f/5.6 is sharpest at 500-600mm equivalent. In effect, these optimal f-stops give you the best balance between diffraction (through smallest apertures) versus chromatic aberrations (possible in all cameras at brightest openings; luckily hardly noticeable in RX10 III due to automatic in-camera corrections before writing JPEG and raw files to the memory card).
  • Stopping down to f/16 aperture, RX10III creates a wonderful starburst effect emanating from intense pinpoints of light such as the sun, lightbulbs, etc (see starburst photo further above). Warning: as on most cameras, f/16 looks notably softer in focus when analyzed at 100% pixel view, nearly halving the resolution compared to f/5.6 or brighter apertures, due to diffraction through the tiny f/16 hole. (At all apertures brighter than f/16, the starburst is NOT created, such as at f/2.4 to f/4, where rounded blades smooth the opening for more attractive bokeh, the appearance of the out-of-focus areas.) Using Adobe Lightroom CC, I like to stitch panoramas where the shot with the sun has an f/16 starburst, but the remaining combined shots without the starburst use the much sharper f/4 or f/5.6.
  • For sharper hand-held shots at 600mm maximum telephoto, leave Image Stabilization ON and use 1/100th second shutter speed or faster.
  • Zoom Assist: To more easily locate birds or small subjects at 500-600mm telephoto (to see outside of that narrow angle of view), reassign the Focus Hold button (on the base of the lens, or use another button of your choice) to Zoom Assist. When pressed, the Zoom Assist button quickly widens the angle of view to allow re-centering upon a bird; then you can pan to follow the bird’s motion, then release Zoom Assist to restore your original narrow angle of view. Once focus is locked onto a moving subject, take the shot as soon as possible, or half press again to refocus. For isolated subjects, I prefer Expand Flexible Spot, using Single Autofocus, because Continuous Auto Focus can be problematic on any camera (unless fast-paced action requires Continuous AF, which may risk unwanted slow AF racking or hunting). Half press to lock focus on a high contrast edge of the subject, recompose, then fully click the shutter release.
  • Increase zoom racking speed: from 24 to 600mm in just 2 seconds, by setting Zoom Speed = “Fast” in Menu > Settings Tab 2 > Set #3. That’s twice as fast as the 4-second Normal default. I mostly prefer Normal, for finer framing control, except for fleeting wildlife or sports. The Zoom Speeds of Fast and Normal apply to still shots; but Movie recording mode thankfully automatically invokes a slower, virtually silent zoom to avoid jarring video viewers. RX10III’s power zoom being locked on track at all settings avoids the annoying zoom creep (slippage when pointed upwards or downwards) behavior of most 11x manual (non-power) zooms made by Sony, Nikon and others for APS-C cameras. The short 2 or 4 seconds to rack through RX10III’s incredible 25x zoom beats the longer inconvenience of changing lenses required on interchangeable lens systems such as APS-C or full frame, which I formerly used 1978-2015.
  • Assign the following to the Fn button for quick access: ISO Auto Min SS = minimum shutter speed at a given ISO = STD (standard), SLOW, SLOWER, FAST, FASTER
  • Turn on Eye AF for instant focus on human eyes throughout the zoom range, especially for action/sports.
  • Turn OFF the Pre-AF option, for more reliable half-press focus-locking and quicker autofocus in the telephoto range, especially 400-600mm equivalent.
  • Use the quick Memory Recall (MR on mode dial, initially set within a hard-to-understand menu) to quickly set a whole palette of settings, which otherwise would be frustrating to find and set separately in the disorganized menus.
  • Instead of hunting through MENUs, put favorite settings on the Fn button as follows: MENU Tab 2 > item 5 > “Function Menu Set“. For example, I set these: Drive Mode, Flash Mode, Flash Compensation, Focus Area, ISO, Metering Mode, Smile/Face Detection, SteadyShot for video, HFR Frame Rate, Center Lock-on AF, ISO AUTO minimum Shutter Speed.

Video tips:

  • Video settings are scattered across Tab 1 (items 2, 5, 8, 9), Tab 2 (items 1, 2, 5, 6) and Tab 6 (item 3). Some of these settings can only be changed when the top Mode Dial is set to Movie mode (icon shaped like a film frame with spindle perforations). But luckily the MOVIE button can record with the current video settings no matter where the Mode Dial is set.
  • For videos, you can set hidden P, A, S and M exposure modes using MENU Tab 1 > item 8 > “Movie” (when Top Mode Dial = Movie mode): press Center button then scroll through PASM video options. To get a constant exposure during a video, use video M (Manual) mode: set ISO 100 (or as desired to a constant ISO number, but not AUTO ISO), set Aperture with ring on lens, and set Shutter Speed with either of the back two dials. To control subject-motion blur, set slow S (Shutter Speed) for more blur (as slow as the inverse of the frame rate in frames per second, fps). A Shutter Speed about twice as fast as the frame rate gives the most “normal” look. Set a faster Shutter Speed (more than twice the frame rate) for a choppier, more jittery video, like in the film “Gladiator”.
  • Play with the amazing High Frame Rate (HFR) video mode, shot in XAVC S 1080p HD format. For example, slow down action by 8 times at 480p (shooting frame rate) at 60p50M (frame rate of movie playback). I like setting Shoot Time Priority; and REC Timing=End Trigger, which records the 2 seconds BEFORE you pressed the Record Button! Limitations: only 2 seconds of real time are recorded (with 10-20 second delay writing to card); minimum ISO is 800; you must lock focus and exposure before recording; and HFR requires fast SD Memory Card Speed Class 10 or UHS Speed Class 1.
  • Assign a dedicated button to Focus Magnifier for use in Videos (else none is available). Tips: Focus is faster at brightest apertures (lowest f-number).
  • For high contrast scenes, to better preserve details in shadows and highlights simultaneously, as for later tonal editing of wildlife videos, you can set Picture Profile (in Shooting Tab 1, item 5):
    • PP3 standard for HD television, not intended for tonal editing.
    • PP5 for Cine1 gamma for later tonal editing, or
    • PP6 for Cine2 gamma to preserve even more highlights for later tonal editing, or
    • PP7 for S-Log2 gamma (which requires the most editing to compensate for the flat, dull appearance).
    • Warning: the above Picture Profile that you set for video is remembered when the camera is turned off, and will also affect both JPEG and raw still images (but any custom settings for black level, black gamma, knee and color depth won’t affect raw).
    • Picture Profile, Gamma Display Assistant, Peaking Level, and other items buried in the menus can be assigned to “Custom  Key (Shoot)” or to the quick Fn button in “Function Menu set” (in Tab 2, item 5).

RX10 III negatives, problems for Sony to fix

  • Sony RX10 III frequently fails to lock focus on the far telephoto end 400-600mm equivalent in dim light or on low-contrast subjects, which can be worked around by upgrading to Sony RX10 IV (price at Amazon) (or by using Manual Focus, or by using rival Panasonic FZ2500 ; or use Sony A6000, A6300 or A6500).
  • Sony menus are extremely disorganized, slowing access to important features (but much improved in RX10iv upgrade). For example, video settings are scattered across Tab 1 (items 2, 8, 9), Tab 2 (items 1, 2, 5, 6), and Tab 6 (item 3). These badly need consolidating. AF settings are also scattered across different menu tabs. The workaround, as with past Sony cameras, is to memorize or write down where things are randomly hidden. Also, please allow MENU Tab 1 > item 8 > “Movie” (setting PASM modes for video) to be assigned to the Fn button.
  • RX10III lacks an electronic ND filter (Neutral Density), which is especially important for video in bright light, at bright apertures for shallower depth of field. Workaround: simply attach a glass ND filter to the threads on the front of the lens when needed, the old-fashioned way. This could be almost as quick as trying to find settings in the notoriously disorganized Sony menus. Otherwise, RX10III is reputedly great for video. However, Panasonic FZ2500 has an ND filter and is probably superior for videographers.
  • In M/Manual mode, you must turn off Auto ISO every time, set ISO manually, then set back to Auto ISO when switching back to P, A or S mode. I prefer Manual mode to always default to manual ISO. Sony, please don’t force Manual mode’s ISO to that of the other PAS settings, and vice versa! Manual means manual.

Conclusion

For travel in 2016, the all-in-one Sony RX10 III overpowers its rival superzoom cameras with 1″-Type sensors. More significantly, the above field tests show that RX10 III resoundingly beats my previous favorite travel system, the Sony 11x zoom SEL18200 lens mounted on the larger-sensor APS-C Sony A6300 camera. Moreover, this APS-C flagship is at best 5% sharper than RX10III when using the wider end of a premium 4x zoom lens, but no better in dim light! I would rather have an all-in-one 25x zoom which astoundingly extends sharp f/4 telephoto reach to 600mm equivalent. For portable outdoor photography in 2016, nothing beats the superb, fast optics of the 25x-zoom Sony RX10 III (price at Amazon).

2015 Sept: Garibaldi backpack + Canadian Rockies tour

See Tom Dempsey’s photos from hiking in Canada September 9-21, 2015 in day-by-day order:



Go to “Gallery: 2015 Sep 9-21: Garibaldi + Canadian Rockies” to Add images to Cart: click tab for Downloads, Prints, or Products (gallery canvas wraps, picture puzzles).

Trip description:

  1. Three gloriously sunny days with no wind made for perfect backpacking to Garibaldi Lake! Garibaldi Provincial Park is east of the Sea to Sky Highway (Route 99) between Squamish and Whistler in the Coast Range, British Columbia, Canada. A hiking loop to Garibaldi Lake via Taylor Meadows Campground is 11 miles (18k) round trip, with 3010 ft (850m) gain. The top of Panorama Ridge is 17 miles round trip with 5100 feet gain from Rubble Creek parking lot (or 6 miles/10k RT with 2066 ft/630m gain from either Taylor Meadows or Garibaldi Lake Backcountry Campground). The vibrant turquoise color of Garibaldi Lake comes from glacial flour suspended in melt water from Sphinx and Sentinel Glaciers. The volcanic pinnacle of Black Tusk (2319 m or 7608 ft) rises above Mimulus Lake, Black Tusk Lake, and Helm Lake, best seen from Panorama Ridge Trail. The Black Tusk is a remnant of an extinct andesitic stratovolcano which formed 1.3-1.1 million years ago: after long glacial erosion, renewed volcanism 170,000 years ago made the lava flow and dome forming the tooth-shaped summit.
    • Global warming/climate change: The Helm Glacier had an area of 4.3 square kilometers in 1928, but declined by 78% to 0.92 square kilometers as of 2009. The Helm Glacier’s melting trend mirrors that of all glaciers in the Pacific Northwest and fits into the pattern of glacier retreat across Canada (measured in the Canadian Glacier Retreat Index). From the early 1700s to 2005, half (51%) of the glacial ice cover of Garibaldi Provincial Park melted away (reference: Koch et al. 2008, web.unbc.ca). The record of glacier fluctuations in Garibaldi Park is similar to that in southern Europe, South America, and New Zealand throughout the last century (the 1900s), suggesting a common, global climatic cause.
  2. Clouds and rain stopped us from a 20th anniversary hike to Berg Lake in Mount Robson Provincial Park, so we continued on to Jasper NP.
  3. Snow-dusted peaks rose above fall colors at Medicine Lake in beautiful Maligne Valley, Jasper National Park, Canadian Rockies, Alberta. Medicine Lake is not really a lake but is a natural back up in the Maligne River that suddenly disappears underground. Jasper is the largest national park in the Canadian Rocky Mountain Parks World Heritage Site declared by UNESCO in 1984.
  4. Viewpoints at Upper and Lower Sunwapta Falls are worth seeing in Jasper National Park – a good rainy-day activity. The falling water originates from the Athabasca Glacier.
  5. Snow magically dusted Mt. Chephren (3307 m or 10,850 ft) which soared majestically above orange and yellow fall colors in Mistaya River Valley along the Icefields Parkway, in Banff National Park, Alberta.
  6. Snow covered the Waputik Range above beautiful turquoise Peyto Lake (1860 m or 6100 ft), in Banff National Park. Bill Peyto was an early trail guide and trapper in the Banff area. Suspended particles of glacial rock flour create its bright turquoise color. Bow Pass (2068 m or 6787 ft) is the highest point on the Icefields Parkway, and a side road leads to a crowded nature trail to Peyto Viewpoint (and higher bus road to wheelchair access, a much safer way to walk in icy conditions like we found). The lake is fed by Peyto Creek, which drains water from Caldron Lake and Peyto Glacier (part of the Wapta Icefield). Peyto Lake is the origin of the Mistaya River, which heads northwest. (Early snowfall cancelled our backup plan to backpack the Rockwall in Kootenay NP, which had more than a foot of snow at Floe Lake.)
  7. In Peter Lougheed Provincial Park, Chester Lake is a delightful hike of 5.2 miles round trip with 1000 ft gain through larch forest. Larches are deciduous conifers (with needles turning yellow-orange and dropping in autumn) in the genus Larix, in the family Pinaceae. Extending the hike to Three Lakes Valley is up to 7.8 miles RT with 1800 ft gain to a lake-dotted limestone barrens. Kananaskis Country is a park system in the Canadian Rockies west of Calgary, in Alberta. I grabbed quick photos of a grizzly bear, a cute pica, and a ptarmigan.
  8. Sunrise nicely highlighted Mount Kidd which reflected in Kananaskis River near Mount Kidd Interpretive Trail (at convenient Mount Kidd RV Park). Kananaskis Country equals the majesty of neighboring Banff National Park with less crowding.
  9. Hike along beautiful Galatea Creek to Lillian Lake (7.5 miles round trip with 1614 gain) or on to Galatea Lakes (10 miles RT with 2214 ft gain as we did) in Spray Valley Provincial Park, from H40 south of Kananaskis Village.
  10. Wind whipped water waves created rainbows at Waterton Lake in Waterton Lakes National Park, Alberta. In 1932, Waterton-Glacier International Peace Park joined Glacier National Park in Montana with Waterton. UNESCO honored Waterton-Glacier as a World Heritage Site (1995) containing two Biosphere Reserves (1976).

See also my related articles (with multiple trips consolidated):